The 2025 Cannes Film Festival is shaping up to be one of its most exciting editions yet. Adding to the star-studded lineup, Kristen Stewart and Ethan Coen are officially set to premiere their latest projects on the iconic Croisette — and anticipation is already reaching fever pitch.
A Festival Brimming with Buzz
Kristen Stewart, celebrated for her fearless choice of roles and magnetic screen presence, teases a new project that remains shrouded in mystery. Meanwhile, Ethan Coen, stepping into the solo spotlight for the first time after decades of success alongside his brother Joel, is ready to present Honey, Don’t, his much-anticipated feature. Their involvement adds even more glitter to a festival already brimming with cinematic promise.
This year’s lineup is proving rich and diverse, reaffirming Cannes’ position as the world’s foremost showcase for film artistry. As revealed during the April 10 press conference, several key titles were still under wraps — until now.
Among the most talked-about additions is Die, My Love, a new film by Lynne Ramsay, known for her unforgettable We Need to Talk About Kevin. Starring Robert Pattinson and Jennifer Lawrence, Ramsay’s latest is an adaptation of Mátate, amor by Argentine author Ariana Harwicz. With Ramsay’s entry, Cannes achieves a historic milestone: seven female directors competing for the Palme d’Or — the highest number in its 78-year history.
Global Voices on the Croisette
The competition also welcomes Iranian director Saeed Roustaee, who returns with Mother and Child, joining compatriot Jafar Panahi in this year’s selection. Spanish cinema, too, has a notable presence. Albert Serra, a leading figure in European arthouse film, co-produces Magallanes, a sweeping biopic directed by Lav Diaz and headlined by Gael García Bernal. The film will be shown in the Cannes Premiere sidebar, alongside other international gems like Koji Fukada’s Renai Saiban and Hlynur Pálmason’s Astin sem eftir er.
Spotlight on New Talents Behind the Camera
Adding extra excitement, Kristen Stewart makes her directorial debut with The Chronology of Water, which will premiere in the Un Certain Regard section — a platform known for celebrating bold, innovative storytelling. Meanwhile, Ethan Coen’s Honey, Don’t is slated for a late-night screening, a time slot often reserved for edgy, high-energy films.
These fresh announcements join an already impressive roster for Cannes 2025, a particularly banner year for Spanish cinema: two Spanish films, Romería by Carla Simón and Sirat by Oliver Laxe, will compete for the Palme d’Or — something not seen since 2009. Additionally, Guillermo Galoe’s Ciudad sin sueño will be featured during Critics’ Week, further showcasing the breadth and depth of this year’s cinematic offerings.
One thing is clear: this spring, all eyes will be on Cannes.
